Wednesday, October 5, 2016

Plot Ingredients

Where do fiction writers get their story ideas? Well, I can tell you where I did, and based on what I’ve read, many writers take a similar approach. Here’s the recipe:

  • Take at least one real-life experience.
  • Combine it with headlines (past or present).
  • Throw them into a mental Mixmaster.
  • Add buckets of imagination.

Then, if you’re clever, creative and lucky, you come out with a compelling plot.

Drug-assisted sexual assault informs my story as do the headline-making accusations against Bill Cosby. By mashing up these events with research into psychopathic behavior and the unsolved Gilgo Beach, Long Island, serial murders, voilĂ , a psychological thriller emerges.

Lost Girls by New York Magazine contributing editor, Robert Kolker, was especially helpful in its examination of the murder victims’ lives through interviews with their families and friends. The first of ten bodies was discovered in December 2010. All were online escorts who had been strangled, their bodies wrapped in burlap sacks before being dumped along Gilgo Beach. The consensus of investigators was that all were killed elsewhere.

Stephen King has said, “I get my ideas from everywhere. But what all of my ideas boil down to is seeing maybe one thing, but in a lot of cases it’s seeing two things and having them come together in some new and interesting way, and then adding the question, ‘What if?’ ‘What if’ is always the key question.”

Here’s my ‘What if?’:

What if an employee suspects her company’s CEO of sexually violating a female co-worker, and a week later sees him among onlookers at the murder scene of a prostitute?

To these circumstances, I added the CEO’s fragile wife who also makes disturbing discoveries about her husband. Stephen King’s brilliant short story, “A Good Marriage” in Full Dark, No Stars, was the inspiration for this character and chilling sub-plot.

I threw in a handsome detective, charged with investigating the long-standing serial murders, to add tension–romantic and dramatic–as the story’s heroine goes down treacherous paths with shocking outcomes to expose the CEO and validate her suspicions.